Monday, August 18, 2014

Profoto Air Remote TTL-N for Nikon: Finally here!



A month or two ago, I wrote about 'The Lighting Game Changer', the Profoto B1. A monolight that had studio power, but with all the features of TTL. Essentially, everything a sports shooter could wish for!!

Perfectly exposing fast moving subjects would now be a breeze. And with super fast flash durations of upto 19,000/s and upto 20fps burst mode, freezing action would be just as easy!




All finally seemed right in the world. But then as I read down the list of specs, I saw the usual problem I faced with new lighting tech. The Profoto B1 currently only had a TTL remote available for Canon cameras. Urgh!


I'm a Nikon shooter. There's really no rhyme or reason to it (despite how many times I am asked). You tend to just make a choice when you're starting out, and for the most part, stick to it throughout your career. But this TTL thing was becoming a bit of a bummer.


So imagine my delight when this morning I got the long awaited email from Profoto saying that the Air Remote TTL-N (for Nikon) finally had a release date! September 15th! Right after my Birthday!


Here is a link to download the PDF brochure. Check out the specs. Before you do, try to find a napkin to tuck into your collar so that you don't drool on your shirt... Not sexy.


The Profoto Air Remote TTL-N for Nikon release date is currently set at September 15th. The TTL-N Air Remote is already listed for $395 on pre-order, but the Profoto B1 monolight is already available as a single unit for $1,995, or the two light location kit with specially designed backpack for $3,950.

By no means cheap, but this is technology that would have been almost unthinkable just a few years ago. I can't wait to see what people are able to achieve with this setup.


Visit Profoto for full info.

Tuesday, August 12, 2014

Miami Spice experience at Red, The Steakhouse



A slight step away from photography this time, but I only have one blog, so there was nowhere else to put it :-)



For those who don't know, Miami Spice is a fantastic concept in the fine dining world that us South Floridans get to enjoy every year.


During the months of August and September, regular Joe's can visit some of Miami's poshest eateries to sample cuisine that would leave most of us picking penny's from between couch cushions in order to buy groceries the rest of the week. During these glorious 60 days however, $39 will allow you to enjoy a fixed dinner menu of the best each establishments chef has to offer. An appetizer, entrée and desert are included, (so drinks and tip will need to be budgeted for). Keep in mind, at restaurants of this caliber, most entrée's alone will set you back $40+, so this is a pretty good deal.


I had enjoyed Miami Spice in previous years and had been very impressed with the offerings of Gotham Steakhouse in the Fontainbleau. Hakasan, also at the Fontainbleau and a few other great spots around the city. Impeccible service and beautifully crafted food, as one would expect.


This time, my group and I opted for 'Red, The Steakhouse' in South Beach. The menu looked great, and we'd all heard rave reviews... Winner!


A table for 4 was reserved using Open Table and as we arrived, we were seated almost immediately. Our table was off to the side by the bar. This didn't seem ideal at first, but we soon realized that this area was nice and quiet.


Our server was extremely attentive. She seemed to have the recall abilities of Rainman as she reeled off a detailed list of specials that boggled the mind. I'm sure she was planning to head to the Hard Rock after work to count cards at the blackjack table with a memory like that. We attempted to absorb the list and order some drinks. Martini's all round, very well mixed. Things were looking good... Then I asked for the Miami Spice menu...


... Record scratches to a halt...


... Suddenly the skilled server we knew vanished and she was replaced by someone who looked exactly the same, but now appeared to have been trained in hospitality at the local Taco Bell. Our deduction; her tip was possibly about to be reduced quite considerably by our choice of menu. She was still pleasant, but every smile was forced, other tables seemed to require more attention, and her eagerness to please became akin to that of Christian Bale after a long day of filming.


We made our orders, some of us upgrading from the fixed menu to more premium items and we waited for our food to arrive. The appetizers were good, but nothing extraordinary. I had the steak tartar (something I would never usually order, but that is what Miami Spice is about... Trying new things). Then we waited for what seemed to be a very long time for the entree's to arrive. I ordered bucatini with meatball (yes, singular. One ball). The rest of the table had steaks.


Now if there's something a steakhouse should be good at, it's steaks, no?...


... One steak had to go back to the kitchen for more heat as the order for 'medium', seemed to mean 'still breathing'. The steak came back 10 minutes later, still pink inside and very charred on the outside. Not good at all. Only half was eaten (I finished cooking it perfectly myself the following evening with 1:45 mins in the microwave). One would expect more from a high priced fine dining restaurant.


My meatball (still not plural), with bucatini (aka fat spaghetti) was very good, just not 'fine dining good'. The little family owned Italian joint near my apartment does it better. And, like with a nuclear disaster, you get three balls!


After desert, which was also far from spectacular, the check arrived... With a 20% tip (which was twice that which was deserved), the final total was close to $500! Now, I know drinks and upgrades were ordered, and it was South Beach, but that is far from attainable by the average Joe. If the food and service had been as stellar as we'd hoped, we could have at least left with satisfied stomachs. Instead, just a feeling of disappointment.


Summary: Miami Spice is a great concept which I will continue to partake in. Just watch out for those extras like drinks or meal upgrades and you should have a great experience. If you don't mind dropping a car payment on an evening's grub, go nuts!


Oh, and I wouldn't recommend Red, The Steakhouse. I felt I should emphasize this.



As this is a photography blog, here is a picture of me with a Hello Kitty iPhone case.... It takes photos :-D


Tuesday, July 29, 2014

Lifestyle photography and video shoot in North Miami, FL

Lifestyle Photography shoot with OnSet Media.




Behind the scenes: On the set of lifestyle photo and video shoot in North Miami last Monday with On Set Media

Tuesday, June 3, 2014

New Product: Profoto B1 TTL Studio & Location Monolight

The Lighting Game Changer - Profoto B1 TTL Studio & Location Monolight



Small, quick and simple light, or big, powerful and ‘slow to setup’ light… These are the choices of photographers when it comes to illuminating a shoot. (Or, just use the sun of course. But that’s frickin boring).

The trusty on camera speed light is uber portable and gives the 99% accurate gift of TTL. Just point, shoot and enjoy. Get creative by removing it from your camera and with some fancy techniques you have the power to create professional looking images that would not be out of place on the cover of Vogue.

The downside?… Power. A severe lack of it.

You can’t blame them. 4 x AA batteries and a teeny tiny bulb is only ever going to give you so much.

Then there’s a studio strobe. Big and meaty. Capable of emiting blinding bursts of light with power ranging generally between 250 to 2400 Watt Seconds. Bam!! Put someone 50ft away and you can still give them a generous splash of the bright stuff… But, the Goliaths of illumination are fully manual. Whether your weapon of choice is trial and error or careful measurements with a light meter, they take plenty of time to, A. Setup in the field or studio, and B. Adjust to the correct power output.

All seemed lost… Until now….




The new Profoto B1 TTL monolight is quite literally, a game changer! Imagine the ease and flexibility of a speedlight, with the clout of a studio light. That’s what you get. The B1 is fully self contained. It has a built in battery (that can be removed and replaced in seconds) and full TTL metering. If that weren’t enough, you also get 1/19,000 flash duration and 20fps! Holy cr*p balls!! (if you don’t know what that means or understand the significance, Home Depot have an awesome line of flashlights for you).





I shoot a lot on location and I luurrve my Einstein E640’s. For $500 they cannot be beaten on features, reliability, power and ease of use. But there is still that annoying setup time, especially in the varying light levels of a sunset or a sunrise. You set the power, squirt off a few shots and then you need to meter again. Now, with the Profoto B1, TTL will take care of all that and allow you to fire one of your assistants and continue shooting with ease because your light output will adjust itself… Cue angelic heavenly choir music.

At just under $2k, with another $330(ish) for the TTL remote, these are not prices to be laughed at. BUT, these lights are Profoto. These lights are bullet proof. These lights are unique, new and revolutionary technology. Personally, I think that $2k is a steal.




The only problem, for a sensible Nikon shooter like myself, as usual they are behind with the release of the TTL technology. Why they release the Canon versions first and leave the rest of us drooling, I will never know.

Can you find one right now other than pre-order? Nope… Is it worth the wait? Yup.

My kidney is currently on eBay. Feel free to bid and help me with my B1 purchase… Thank you muchly.


Do you like Twitter? Me too!… Do people like me enough on Twitter? Nope!… Like me more on Twitter and feel your life get a little better! @BritFloridian

(Benefits of clicking ‘follow’ based on a survey of one people).

Thursday, May 22, 2014

Photoshoot with NFL's Nic Harris

Looking back to November 2012 and my photoshoot with NFL linebacker Nic Harris.




Wide angle lens used to capture this exaggerated perspective of Nic holding a football:




Shooting at the X2 Studio Miami Beach. The studio houses the amazing Blue Sky Light Grid




Camera and lighting tricks were used to make 1pm in Miami, look like night time:




 

Thursday, October 24, 2013

Google Plus vs Facebook... A Photographer's perspective


So I've recently (ie. the past year), found myself swinging between Facebook and Google+ as my main Social Media promotional tool.




Both sites have their merits, but both also drive me nuts in their own little ways.Below is my little (hugely incomplete) pros and cons list of these two web giants:Let's compare!!

Facebook


Pros:



  • Clearly a larger, more active social community.


  • Just about everyone in the world has a profile and checks it more than they do emails or text messages. This creates a huge 'potential' audience. Winner!


  • It has hashtags


  • If someone 'likes' your stuff, all their chums see it... James Woodley likes this!


  • 'Boosted posts' do actually seems to work. If your goal is to simply engage with as many people as possible, write/post something interesting, spend $5 boosting it and you have tens of thousands of potential viewers that you would not have had otherwise.


Cons:



  • Saturated with crap, the 21st Century version of 'chain mail', annoying complaining people and pictures of people's lunch.


  • The hashtags don't work the way I want them to (maybe I'm doing something wrong).


  • Did I mention the people complaining??


  • To really get noticed, you have to pay.


  • Way too commercial.


  • It changes every 5.5 seconds.


  • People seem to lose their minds if, heaven forbid, they get un-friended by you or anyone they know.


  • NO, I DO NOT WANT TO PLAY CANDY CRUSH SAGA WITH YOU!!!!



Google+


Pros:


  • Handles media like a dream. The galleries are just perfect for photographers to display their hard work.


  • SEO is super duper optimized... Who uses Bing and or Yahoo! for searches nowadays anyway? :-/  What I mean by this, is that anyone entering a search in Google, will also see results from your G+ page, if you so wish.


  • The whole 'Circles' thing makes it a whole lot easier to divide up your categories of contacts.


  • The community seems to be more, what's the word, civil? Maybe that's just me. But it's like the difference between the spectators of a cage fight and those of a polo match.


  • It has hashtags that actually do what they're meant to do.


  • It's not necessarily photographer related, but I love Google hangouts... You can put virtual hats on people, for crying out loud! :-D


  • It will automatically tag people in pictures. This is hit and miss, but I'm sure it will improve with time.


  • You can get in early for maximum exposure to those that actually matter... Like buying shares in Apple 20 years ago..... If only.



Cons:


  • Arrived too late in the game, so everyone compared it to Facebook and immediately dismissed it.


  • In my opinion, was not complete on the day of launch... I mean, no business pages?!? Huh???


  • It can just be too damn fiddly sometimes.


  • Too many options to wrap your head around.


  • The separation of 'Google local' (formerly Google Places) & Google+ at the outset meant that if you didn't do things right at the beginning, you'd end up with two separate profiles for your business... Bummer.


  • The mobile app for the iPhone/iPad does not yet let you use the chat feature... Oh dear.


  • Lack of 'vanity' URL's unless you're pre-selected... Why?? They can map the entire world in 360 degrees at street level, but I can't have a URL for my page that resembles an earthly language?!?... Breath..... Breeaaatthh.



Well, that's just my opinion. I'm sure after I hit publish on this post I will think of a dozen more reasons, but for now that are the ones that affect me the most.

Tuesday, August 28, 2012

$2 million Leica Lens




So. It’s fricken huge, it’s made by Leica who already make really expensive camera gear, it has a 1600mm focal length, weighs 132lbs & I could easily fit my head into the fat end… This, is the lens you cannot buy.


Sheikh Saud Bin Mohammed Al-Thani of Qatar, shelled out a cool $2,064,500 for luxury German camera brand, Leica, to custom build this mammoth piece of glass.


If he felt so inclined, he could also add Leica’s 2x teleconverter to bring the focal length to 3200mm. Which, if my calculations are correct, will allow him to almost see Uranus.


Do I want one? I don’t think so. I’d rather buy an island somewhere. I can’t exactly see Leica’s large community of street photographers drooling over this one either. It’s certainly a “I bought it just because I could”, kinda thing.


Enjoy it sir!… If you can lift it.